Friday, 31 October 2014

Skyfall Opening Scene Analysis

Skyfall Opening Scene Analysis

The opening scene of Skyfall unravels an abundance of indications towards the genre. The scene starts off with dim lighting and the camera shot directed down a narrow corridor, suggesting a genre convention for crime and drama. A dark figure appears representing Bonds (aka 007) occupation whilst covering his identity and is depicted as a mysterious character displaying an element of unknown. Immediately, the film exhibits stereotypical conventions of a spy, implying his life is fast paced and dangerous. This is shown through different shots where a fast edition technique was used.  
A non-diegetic sound is played at the start, which allows the audience to recognise the theme tune, involving more excitement. This is suddenly cut off and a more dramatic tone of sound is played which is increasing as the man reaches the end. This increases the intensity and indicates something bad will occur, creating an enigma.
 
The juxtaposition of light and dark shown on Bonds face connotes how dangerous Bond can be. A lot of eyeline match techniques are used, demonstrating the jauntiness and sharp movements of James Bond's eyes, suggesting cautiousness and unexpected actions.
 
Moreover, his fellow agent is then revealed to be dead; hid blood contrasting to the dark colour scheme, signifying danger is associated with Bonds job. Close ups of Bond display his lack of emotion and shot-reverse-shot is used to show that Bond has acknowledged his death. Bond then phones M. Her central positioning indicating she is a prominent character. The caring heroic figure is portrayed by Bond as he attempts to help his dead agent which contrasts to M's idea. He consequently disobeys orders presenting a male dominance over female.  
 
Furthermore, the opening scene finishes when 007 rushes outside in search of his other fellow agent. The non-diegetic sound begins to heighten the intensity of the scene, emphasising on the action that will follow. Once he is in Moneypennys car, she erratically drives off chasing someone ahead. Her recklessness yet calm self goes against a stereotypical woman. The diegetic screams from the surrounding citizens further reiterate the chaos happening.
 

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